At the end of August (for some reason I only saw this today) Paul Connolly decided to review the legacy created by Nirvana – to mark the 20 year anniversary of the release of Smells Like Teen Spirit. Here is what he had to say:
Let’s get this straight – Nirvana were glorified one-hit wonders. Smells Like Teen Spirit was a freak, albeit a wondrous, magical one. They only wrote two more decent songs – Frances Farmer Will Have Her Revenge On Seattle (from In Utero) and Oh, The Guilt (a limited edition split single with Jesus Lizard).
Don’t worry, like many of you, I had my head turned by the hyperbole. But now we can be dispassionate and admit Nirvana were not only not much cop but their influence on pop has been mainly pernicious…
So why was Nevermind so huge? Simple. The turn of the Eighties/Nineties was such a wretched time for music that a song as good as Teen Spirit, and a man as pretty and beset by demons as Cobain, were assured of attention and adoration. It’s just a shame that many of those devotees decided to form bands and adhere utterly to Cobain’s “poor me” blueprint.
You can blame all those wretched “emo” bands on Nirvana. There are armies of kids who believe that a guitar and a persecution complex makes them an artist. Well, they’re wrong.
Ten million miserable black-clad kids – that is the extent of Nirvana’s pitiful legacy.
Something isn’t quite right in the world when an occasional and dire blogger on the Daily Mail website feels in a position to criticise the legacy created by what is generally accepted as one of the most influential albums of the last 50 years.